A Swiss chateau. A Broadway musical all about her. And absolutely nothing she has to do.

She was the symbol of rock ’n’ roll stamina for 50 years. Her “Proud Mary” was 175 percent longer than the original, and John Fogerty didn’t even dance. She became a star with Ike Turner in her 20s, escaped his abuse in her 30s, fought her way up the pop charts in her 40s, toured the world through her 60s, and now she would like to sleep in. Chateau Algonquin has cartoon palace energy: ivy snaking up the walls, gardeners manicuring the shrubs, a life-size two-legged horse sculpture suspended from a domed ceiling, a framed rendering of Turner as an Egyptian queen, a room stuffed with gilded Louis XIV style sofas and, sprawled on one of them, Tina Turner herself....

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Read the interview, Tina Turner Is Having the Time of Her Life, on The New York Times.